

I liked the actors choose for the characters, but the feel of deep love (pasam) is missing between brother (prabhu) and sister (rohini), nephew (vishal) and Uncle (prabu). Nasser can only do that role; Nadhiya’s character was described as powerful, but in the screen it’s powerless. In all his films director never forgets to give chance to Aruva (knives), here the Aruva culture is wide stretched and the violence is little more. The comedy by Kanja Karuppu (Muthu) is nice, his struggle with the same name to the dog and him; linking the rivers was good ones. The turning point in the island, and the photo of the Vishal and Banu describing as prostitute by the paper has comes naturally with the story, and expect us to know what’s going to happen. What’s new in the story was the two own brothers of the opposite family were supportive to the Hero’s family and depart from the collision trend.

The Nellai Tamil dialogue, which I loved to hear, was very nice in the film. V.T.Vijayan’s picturesque of the Tuticorin and in the songs the camera gives new views. Two songs are nice to watch one was the remix of a popular devotional song with attractive dance was superb and the melodies one Varthai onenu varthai onenu… was poetical. I like the theme of the story that said: in the fights between families, who is winning was not important, but non-should defeat. This concept not only befit families, this can also create a healthy society.