Anegan - Survives on love

There are certain creations we don’t want to miss and in the field of filmmaking, as a director, K.V. Anand has created a place for himself for us to look forward to watch with interest. Anegan is one of an interesting Tamil movie (I watched last week) from the director, and as a wholesome entertainer, is based on memories of previous birth, not one, but multiple! Although it is only a part of the film, that traces and survives on love on each birth, the director has a different phrase to communicate the reason which perhaps due to hallucinations or use of drug to enhance dreams. But what highlight was how the illusion becomes clue to explore a mystery?

Dhanush and debutant Amyra Dastur as lead, appears in four difference characters, look, period/age. Dhanush seems to have not much works to do to in showcasing the difference in looks, which was slightly altered by pretty shaved and grown beard – resembles one of his earliest and in beard he reminds the dancer-actor-director Prabu Deva. One could see a usual Dhunush in the sequences relevant to current situation in the film, and I don’t find it quite impressive. But who steal the screen/show was, Amyra Dastur.

The beautiful actress does not only appear prettier, but her performance outshines the star cast and quite admirable. According to the period, her transformation has been done well and though not so highly differentiated, her expression and attitude conveys much to not to believe she’s debut. And another notable thing about Anegan was veteran actor Karthik’s re-entry, but as anti-hero, he acted pretty cool which suppose to be his usual/casual character in movies as well in reality.

I think the concept of this film (with two more situations happening at different periods and traced as previous birth memories) was pretty new for the Tamil audience, even though it was conveyed in a lighter way, I feel some people will find it hard to capture quite. Among the two different eras, the film that begins in Burma (today Myanmar) in 1960s is very beautiful and heightened the interest of watching. As a migrant worker Danush stunned with action and the love with Amyra is impressive than other two.

The music and songs of Anegan is chartbuster even before its release and Harish Jayaraj has touched the peak with both melody and local genre – but the most popular Danga Maari, doesn’t lived up to the expectation that created though music. Being a great cinematographer himself (though K.V. Anand is not the cameraman of the film), his perspective and locations selection always fascinated and in the songs of Roja Kadale and Aathadi the beauty of nature and Amyra stunned.

There’s also limited fight scenes to keep pace and sustained on tack with love genre, which is the centre pole of the film. Like his previous movies (Ayan, KO and Maattrraan) that open door to some daring issues, K.V Anand has focused this time on the rising depression among corporate workers, though the film deal with gaming company, it almost indicates the same and pulled the trigger to dread. Anegan is a must watch for many reasons and also way being different! 

A gap between the fences

During my visit to Kukkal, a village near Kodaikanal, I come across this interesting fence built using firewood’s or bunch of sticks accompanied by some shrubs lined along. The gap between the fences captures my attention to click photo.  

Although it is the not view (picture above) capture thought the gap, but it’s the same that behold behind the fence... the villages, along with terrace farming, was covered by mist while we visited. Being afternoon time, the village looked like taking nap under the blanket of mist J

Linking this post for Run a Round Ranch's Good Fences

Sri Veera Anjaneyar Temple, Puthuppakkam

Last Thursday my father suddenly decided to visit the Thiruporur Murugan temple and by afternoon, along with my uncle’s family we head to the temple. And btw my uncle suggested checking the Anjaneyar temple on top of a small hill near Kelambakkam – about 35 km south of Chennai, which my parents and others wanted to do for a long time.

In front of the temple, from left: parents with uncle and aunt 

Sri Veera Anjaneyar Temple in the village of Puthuppakkam is 5 km from Kelambakkam, on the road towards Vandaloor, is the beautiful small temple situated atop a hill called Gajagiri hills. We know this temple from a very long time and those days it can be reached only by steps, that too in pathetic condition, never gave us a thought to  try  although we have passed this hillock many times.

A view from hilltop towards east... stretching across OMR and ECR and  far end with sea. 

My cousin who visited this temple few years back comes to discover a road has been built up to the hill top. And from that time onwards, I wanted to go to this temple to get some views around the area from the hill top, with SIPCOT IT Park as its backyard. So taking this as a wonderful opportunity, I also find it little exciting take the small road up the hill with couple of hairpin bends! It was cool and breezy, and awesome with views once atop.

The temple is told to have a strong connection with the Nithiyakalyana Perumal Temple in Thiruvadanthai, next to Kovalam in ECR. It seems, every year they set/said to follow a custom of carrying certain things as procession from the Anjaneyar Temple to Nithiyakalyana Perumal Temple in times of festival.  Thiruvadanthai being my grandmother’s native village, my mom used to indicate it always when coming across the temple.

As soon we reached the foothill, I was amazed, not just looking at the two big colorful statues of Hanuman and Karudazvar that stands upright on the either sides of the footsteps leading to the top. It was the place only recently I saw in a Tamil movie, where an action scene took place. There are 108 steps to reach the temple if one decides to take by foot, while enjoying the nature.

The temple believed to be 500-1000 years old, is also said to be that while carrying the Sanjeevi Hill to save Sri Lakshmana, Sri Anjaneyar stopped here for a while to perform Surya Namaskar. So he become so powerful at this place to named Veera Anjaneyar. The temple was quite calm and clean when we visited, but I couldn’t take more photos as I left my camera at home. Here are photos shot from my sister’s mobile. 

Temple torch on top of the hill, which is suppose to lit during special occasion

My new abode and stroll in wheels

As you all know I have shifted home to my pretty old area, where I born and brought up till I was 20. It was in 2005 we left our native house in Adyar for the convenience of mine, and to avoid the difficulty of being carried up and down (to the home in 1^st floor) each time while going out, we shifted to three different places in a decade except staying at our own apartment flat for 7 years, others were rented. I never thought I would come back to where I belonged and also haven’t wished as I know it’s not possible to go back unless there is great alteration to my native house.  

We don’t find any difficult with this house, except for few more works related to plumbing has been pending for the owner of the house to be done. We have settled for a comfort stay and the house was spacious than expected to accommodate all our things and well lit and airy throughout the day. The house with front and back entrance facing each other, accompany by two big windows, make feel not choked inside. I think mosquitoes are something impossible to avoid and it seems they are presented no matter where but to feel glad they are growing less day-by-day as summer emerging.

And to say about the street we live in is much quiet and clean, but right now an apartment being built on opposite to this house has been the only disturbance and I know once it completed the tranquil will return. I always wished our native house was in this street esp. for its quietness and neatly presented houses. Housed very close to my native one, I come to see many familiar faces once again more and also got to converse with few after long back and reconnecting with memories. My uncle’s family (father’s bro), who is living in our native house, frequent to support us in all possible ways and my sister (cousin) also visits  me after her college to spent some time in evening. It’s so good to have someone to give company although she’s busy with her mobile most time. lol

Other day I went out in my wheelchair, for the first time on the streets where I wandered, run and played a lot and pedaled the cycle plenty of times. There isn't much change happened in my area in the decade past although I find some new apartments and reconstructions has emerged and roads enhanced to concrete from the tear up to tar. My uncle accompanied me, also led to our native house to say hi to my cousin and aunt who come down in regard receiving me as I could not go to their upstairs home. Like I wished not many noticed me in the area that day, as most are shifted to various places and those being in touch know my condition well but not many would seen me in wheels, but I was glad to meet my childhood friend Karthi on my way.  He used to come and talk to me anywhere he sees me but it’s been long back met him as well.

As I remember he’s my first friend and only through him I know others in my neighborhood and my best part of childhood days were also with him and his brother. Until 1998 before temporarily shifted to my grandmother’s house, as we reconstructed our own, I used to visit him as well as he and I also had a close friendship with his brother – which I don’t know how it broke – and his father also used to be friendly with us. Even though we were back within a year to our newly built home, my difficulty with life has brought a big void between our relationships in reaching or following back. Initially I thought some sales man was standing at the corner of the street, when I saw him that day but moving closer he came with a smile greeting me and also put me in wonder with great transformation in his look that almost resemble his brother.

After shifted here I feel nostalgic at every move out of the home. I remember that it was in front of this house I once fishing in the rainwater drain after some heavy showering. And those days it was the street that often used to be stagnant to rainwater where we come to play in water and I have drenched few times by slipping while playing in water. Ours was a continuous resident area and my native house being situated on the main lane/road; our playgrounds were the backstreets where the house of our friends located. There isn't a nook or corner left where my footsteps patched and I have walked these streets until my legs aches. And it was so good to be back, at least on wheels, to rediscover the area that I hold lot of memories. 

Yennai Arindhaal

First time stepped out, after almost settled at the shifted house, to watch Yennai Arindhaal – an excellent Tamil action thriller film, from the director (Gautham Menon) who is popular with his cop subjects and this is supposed to be the conclusion of his cop trilogy. Ajith who wore the khaki shirt/cap this time, even though he’s seen almost in casuals, has recreated an image for himself and battled well parallel to Surya in Kaakha Kaakha and Kamal in Vettaiyaadu Vilaiyaadu.

Yennai Arindhaal is portrayed around the protagonist named Sathyadev and apt to the name (Sathya, which means truth), the character has consciously tried the best in establishing the same. Ajith comes in four different look and style, according to the phases of his character, has exhibited smart and intelligent to admire and also a person with intense while combat and gentle like wind when patting his loved ones.

Next to Ajith the most impressive was Arun Vijay’s performance, as anti-hero. He has acted more than dozen films as hero, but he couldn’t address well in industry rather being son of veteran actor, Yennai Arindhaal will lead him where he wants to be. Although his character and hairstyle reminds Pandian of Kaakha Kaakha, Arun’s hard work is bright enough.

Trisha comes as bold and beautiful, and allured, although portrayed a character of pretty young mother, her romance with Ajith look matured and rejuvenating at same despite their relationship that sounds odd and many couldn’t get what. I think the best and most exciting part of the film was the 2^nd half from where I feel the real movie starts. The film kept moving at the rear was very interesting and engaged, even though the progress was predictable.

One of the blissful parts of the film was the music! Harris Jayaraj’s background score, as well the beautiful songs are caressing the heart as fascinating as cinematography, which hold some unique light presentation. Though the film was captured mostly under low light and many scenes composed in night, there’s something enrich in tone and light to cause thrill and admire.  Like they say, last but not least, Gautham Menon’s way of filmmaking is something worth watch whatever the subject.