There’s nothing majestic to say about this movie, but it’s all about love at new site (plot) and reflection of existing life. Angadi Theru – the shopping street, bring back those memories of walking back into Ranganathan street in T.Nagar. The street being famous with chennaities exists like shopping means Ranganathan Street!
The movie discloses the concealed life behind those immense stores. It’s obvious the movie indicates the Saravana store and many other stores that bring youngsters from their native homes to employ in support there state and lives, but there are some unknown facts such as endurance are exposed here behind the joy of purchasing.
It seems like the director has taken the story from the common occurrence. The all new faces and being non famous keeps away the thought of watching a movie and characters performance is very practical and though enjoyable through comedy section – Black Pandi of kanakanum kalangal does a fabulous job, and emotion over the imposed inhuman on workers and treating them like prisoners.
Whether it’s true or illusion it’s hardly believable that slavery still exists. It’s a trend that directors turning villain these days and A. Venkathesh has the stubborn face and does worth bad supervisor being called as ebony. The lead pair is adequate to the story and looks fresh like a bloomed flower, and since it’s their debut they’re well introduced already in a different aspect.
The songs are sure to ring for long esp. Aval Appadi Onrum… is very pleasant and simple in lyrics. The Kadhaigalai Pesum… is simply rejoicing to sense adding Benny Dayal and Hamsika in sweet vocal. These are my favorite songs and often murmuring it now. Every song stands for something renews and I understand the worth of music thus created by two music directors together.
The director has observed little things well. The railway crossing incident and the vehicles run over those roadside sleepers are among those so realistic and recall the late incidents. The rubber ball cricket in village, the true taste of strawberry, the self employment of a toilet cleaner and destruction of true love are so real. I always expect the director to do more films as he touches realistic and captures the true happiness and sorrow we lost in logic. The late Album and Veyil of Vasanthabalan are my favorites, and Kadhal vaanoli… is a song from album, I badly miss and keep searching for long.
Angadi Theru, has something touching along the end, but a nice ending at busy street.
The movie discloses the concealed life behind those immense stores. It’s obvious the movie indicates the Saravana store and many other stores that bring youngsters from their native homes to employ in support there state and lives, but there are some unknown facts such as endurance are exposed here behind the joy of purchasing.
It seems like the director has taken the story from the common occurrence. The all new faces and being non famous keeps away the thought of watching a movie and characters performance is very practical and though enjoyable through comedy section – Black Pandi of kanakanum kalangal does a fabulous job, and emotion over the imposed inhuman on workers and treating them like prisoners.
Whether it’s true or illusion it’s hardly believable that slavery still exists. It’s a trend that directors turning villain these days and A. Venkathesh has the stubborn face and does worth bad supervisor being called as ebony. The lead pair is adequate to the story and looks fresh like a bloomed flower, and since it’s their debut they’re well introduced already in a different aspect.
The songs are sure to ring for long esp. Aval Appadi Onrum… is very pleasant and simple in lyrics. The Kadhaigalai Pesum… is simply rejoicing to sense adding Benny Dayal and Hamsika in sweet vocal. These are my favorite songs and often murmuring it now. Every song stands for something renews and I understand the worth of music thus created by two music directors together.
The director has observed little things well. The railway crossing incident and the vehicles run over those roadside sleepers are among those so realistic and recall the late incidents. The rubber ball cricket in village, the true taste of strawberry, the self employment of a toilet cleaner and destruction of true love are so real. I always expect the director to do more films as he touches realistic and captures the true happiness and sorrow we lost in logic. The late Album and Veyil of Vasanthabalan are my favorites, and Kadhal vaanoli… is a song from album, I badly miss and keep searching for long.
Angadi Theru, has something touching along the end, but a nice ending at busy street.