First
time stepped out, after almost settled at the shifted house, to watch Yennai Arindhaal – an excellent Tamil action
thriller film, from the director (Gautham Menon) who is popular with his cop
subjects and this is supposed to be the conclusion of his cop trilogy. Ajith who
wore the khaki shirt/cap this time, even though he’s seen almost in casuals,
has recreated an image for himself and battled well parallel to Surya in Kaakha Kaakha and Kamal in Vettaiyaadu Vilaiyaadu.
Yennai
Arindhaal is portrayed around the protagonist named Sathyadev and apt to the name
(Sathya, which means truth), the character has consciously tried the best in
establishing the same. Ajith comes in four different look and style, according
to the phases of his character, has exhibited smart and intelligent to admire and
also a person with intense while combat and gentle like wind when patting his loved
ones.
Next to
Ajith the most impressive was Arun Vijay’s performance, as anti-hero. He has
acted more than dozen films as hero, but he couldn’t address well in industry
rather being son of veteran actor, Yennai Arindhaal will lead him where he
wants to be. Although his character and hairstyle reminds Pandian of Kaakha
Kaakha, Arun’s hard work is bright enough.
Trisha
comes as bold and beautiful, and allured, although portrayed a character of
pretty young mother, her romance with Ajith look matured and rejuvenating at same
despite their relationship that sounds odd and many couldn’t get what. I think
the best and most exciting part of the film was the 2nd half from where
I feel the real movie starts. The film kept moving at the rear was very
interesting and engaged, even though the progress was predictable.
One of
the blissful parts of the film was the music! Harris Jayaraj’s background
score, as well the beautiful songs are caressing the heart as fascinating as cinematography,
which hold some unique light presentation. Though the film was captured mostly under
low light and many scenes composed in night, there’s something enrich in tone
and light to cause thrill and admire. Like
they say, last but not least, Gautham Menon’s way of filmmaking is something worth
watch whatever the subject.