Thozha aka Oopiri (in Telugu) is
a neat Tamil movie I watched from the drive-in and the drama deals with the
relationship between a quadriplegic and his caretaker. The film is an official
remake of the French film, The Intouchables, and the Tamil-Telugu version was
directed by Vamsi Paidipally featuring Karthi, Nagarjuna and Tamanah. The film
opens with Nagarjuna and Karthi inside a car, racing through the streets
encompassed by police chase, traces the past on the journey they come together
and the bond shared between them.
Seenu is a culprit comes out on
parole and seeks jobs that could showcase his humanitarian and thus attends the
interview for the caretaker of a quadriplegic billionaire, Vikram Aditya. Though
he was attracted to the magnificence of the house and prettiness of Keerthi
(personal secretary of Vikram), the obvious reasons he confronted wants Vikram
to go for him and what happens from then becomes a life changing for both.
Although the film concern about
things happening between them, it goes beyond and touches the lives of their
individuals and personal feelings so well. The film carries emotions in lighter
manner yet reached the sense and makes come out of theatre without any
compassion and sorrow to keep us down. Though Karthi showcase cool attitudes
always, the director and the script has utilized him so well and his pair with
Tamanah is not new but looks afresh on screen, perhaps because she does look
like over makeup!
Nagarjuna, who is always seen as
action hero in Telugu movie and last seen in Rathamohan’s Payanam (in Tamil) as
a commando, chose to do the role of commanding from a wheelchair. I anticipated
some actions scenes by him, at least in flashback scenes, but just stills to
go. The car racing in Paris city was stunning and funny with paragliding. The comedy
with paintings and the character of Prakashraj as Naga’s personal advocate was
very good.
The music and songs were enough
kind, but somehow sprinkles Telugu essence. The camera work was good and the lightning
in darkness of Paris and the interiors of the house captures the mood of
romance and loneliness well. The expressions and feeling of a wheelchair bound
was nicely navigated, without making any negative impact and impressions. The
attitude of making surprise and indifference make sense and I also liked the
way the character of Nagarjuna was displayed to see apart from compassion and sympathy.
Thozha – stands as a reliable
friendship!