I had a wonderful visual treat;
watching the Tamil film ‘Kadal’ from my regular Drive-in Theater here late
night, get me an experience of floating at a distinct yet fabulous locale. Sea,
being the livelihood of fishermen had become the source of this film and characters
play a powerful sail on the gently yet rough screenplay, but boarding a weak story.
There are many films related to fishing folk formerly, but Kadal has been fascinating
a lot among enrich showcased in location setting. I wished there was a total
different story on this performance oriented on board into the sea.
There are two main characters
lead the story with their impressive performance: the comeback of yesteryears handsome
hero, Arvind Swamy, took crown once again representing a respectful priest and
Karthik son Gautham’s debut as young hero, certainly befit to the character of
young fishermen that uncertain to adapt anybody. And of course we can’t go with
them alone; everybody does a natural play around the scenario and the teen
heroine, Thulasi (daughter of actress Raatha), steals heart with her childish
attitude and cute expressions… she has a long way to go become a mature artist.
The film almost sails on a
lifeboat of characters, the sea become a backbone to this mysterious or lead to
confusion subject. The Tamil slang spoken in the film was very unusual and offensive
somewhere, adding chaos at understanding the phrases. The songs composed by AR. Rahman had already
recognized as best, has once again confessed to stole via visuals, except Nejikkula
– the one tops the album has lost track between scenes and speech – cinematography
has ruled others with two excellently choreographed. The setting of the Church
and fishing market and the broken ship are architecture excellence!
The most fascinating and stunning
part of the film was the climax! The actions performed by the three (Goutham,
Aravind and Arjun) on the ship on rough seas were breathtaking and represent
anything unlike before a Tamil cinema has witnessed. I read from the acclaimed cinematographer (Rajiv
Menon) interview that the awesome storm sequence at climax was shot alive
during the Nilam Cyclone that landfall near Chennai in October. Taking the film
crew into the sea when the storm was at its peak really needs guts, and not only
our filmmakers but the actors too truly amaze me by taking such dare ventures
and experimenting live action using the unpredictable terrible natural event.
Hats off to ace director Mani Ratnam
for creating unique at Tamil cinema, taking each pace forward into his own
standard with film-making; Kadal is another film adds credit to his phenomenal
except the disappointment with story but, technically and naturally content.