I

Wish it was 

The last day of my life

Let it was

Euphoric energy, pass through the heart

There she was

To send off, to a faraway land

There I was

Up close, to hold her pair of lips

At a blink

Life ends, clinging to her heart.

Mehandi Circus

I watched this beautiful Tamil film last week, in Netflix, and I quite liked the movie.  Taking love in hand, Mehandi Circus did a soothing performance overall, caring us back to the melodious era of 70s and 80s, when the filmdom was under Ilayaraja’s regime; composer Sean Roldan using the maestro’s finest tunes recreated magic in the background along with his own beautiful composition of songs. The director (newcomer Saravanan Rajendran) has set up the tent/plot at a picturesque location that parallelly protect the pretty love story what move us like a cool mountain breeze along Ilayaraja’s rhyme notes.

Did I sound more musical and of course it was and the hero of the film has a music store and he falls in love with a girl from a circus troupe that visits his village. And what could we expect him to do to convey his love other than playing melodious songs to please the woman and what could do it at best other than Ilayaraja’s heartening songs? Set in time of early 90s, the story travels back (to that period) in the colourful memories of the hero (Jeeva) when he goes to meet his love (Mehandi), after many years of part as the caste and other kind of challenges interfered their cute love and break paths apart.

The debutants to Tamil, Madhampatty Rangaraj and Shweta Tripathi carried their lead rolls very decently and as Mehandi, Shweta Tripathi exhibits charming acting what anyone would like watching. And the location of the shoot is dramatically colourful and charming at its own, as it shot in one of my favourite places on earth – Kodaikanal, aka Princess of Hills, was captured in an ever so beautiful and colourful angles and views to feel close to heart. Thanks to the cinematography, by Selvakumar SK, for capturing all the wonderful moments of the film. Though the circus related scene were very less, the impalement arts comes as a real challenge to the hero to get hold the heroin, who lives with his love at heart despite married to someone forcefully, creates a silent revolution at the end!

P.s. It’s been long time or more than a year I wrote a review on movies and mostly I write review on films I watch in theatre but I haven’t went to the theatre in last 1 ½ year. But I like writing reviews on movies that moves me, just like Mehandi Circus, and I feel many good films goes out of sight as soon its release because having no star cast or big budget, I think of writing at least to show my circle there's a film like this.  Right now I’m content with the OTT or used to it but still watching movies in theatre is an experience that not our home theatres produce. The HD contents on online streamings are far better these days and some are available in 4k as well and along with a good sound system you can experience the best. 

Proposal

Pic courtesy: google

She blew his heart
like bubbles; dreams
went in air, transparent
that anyone could see
along the hideaway secrets.

Inclusive of love
that he ever exhibited
went in air, surprised
she felt so to standstill
running down the memory lane.

Eyes meet endlessly
yet, embarrassed to resume
helped herself to compose
a smile across her lips
shy away secretly.

Boy noted the changes
sigh, smile exit his face
and before things turn different
went on knees, confess
as if he couldn’t grab a chance.

Her eyes couldn’t believe
neither refused the proposal
tears down the cheeks
smile full of faces, frozen
when a gentle kiss fall on lips.

Cold Night

Embrace in cold 

in absence of dear one
she long for a strong grasp
to keep her warm enough.

Standing alone
along the window’s pane
she let some light radiate warmth
until the night turn back too cold.

Staring out the window
thinking of him and the night
despite the sweater she worn
heart wants him up close tonight.

To cuddle up in warmth
to burn the heat that ignites
rising up at the moment’s touch
life becomes bliss.  

Fan of Visiri

The release of Visiri, a single video song from Tamil film Enai Noki Paayum Thota, has quite mesmerised me and to say I was addicted to this song or fell in love from the first time listening, it keeps going still. Already two songs from the film were released at various dates last year, but Visiri was simply breezy and has beautiful lyrics to be murmured. The music director of the film was kept secret until the Visiri released. Darbuka Siva has been a new comer composed these awesome songs. Moreover one of my favourite singers Shashaa has lent her voice to top notch…

Though GauthamMenon decided to give chance to a new comer rather following his usual Harish and ARR formula, the songs carries a similar scent or accent (which seems to ever wither) bearing the stamp of formers. More than watching the video I love listening from home theatre. 

Maruvaarthai is another beautiful, excellent foot tapping song and gives a feel of classic touched by stylish rhythm. Megha Akash, paired with Dhanush, is very pretty and admirable to watch ;) 

Invisible beauty

An invisible beauty
stands on the balcony
against the sea breeze
brushing off her face...
to never let comb hair
coming out of fresh showing.

Looking over the sea
from the beach house
she waits for her boyfriend
who went on voyage
to return to take her along
for a romantic sail across the sea.

Meanwhile at eventide
leaning over the pillar
she strokes her hair, gently
in fond memories of him
where they went hand-in-hand
before he went on-board.  

P.s. Inspired by the picture I shot at Covelong (Kovalam, Chennai recently, on a beach house balcony.

Linking this post for  Good Fences by Gosia 

Longing

Night spent on intimate
but still thinking same, out of bed
eyes gaze through the window
looking for her man
who embraced her at night.

Out of gloomy
and in front of the window
the lady bird waits for tonight
fetching her man
who left her half asleep.

A sense of silence in her gaze

a pause of emotion
or desperate unconsoled
despite her desire for him
whom she romanced deeply. 



Ps. The poem is an inspiration out of the image i come across in  facebook @FlorianWeilerPhotography

Sunbeam

image:google

I wake up to a flash of light;
a sunbeam peeking into my bedroom 
through the window’s pane 
trying hard to reveal my secrets 
without knowing it has censor panels.

Perhaps in the wildest of dream 
anything is possible, under the blanket, 
unless you become a partner in life 
whoever it may be – even the sunbeam 
doesn’t have the privilege to unveil. 

Love Lit

Eyes closed, when lips enclose
at the end of love proposal.
Nothing matters, when the hearts
weld in the warmth of hug.
Life blooms, when the love essence
spring within burble.
Autumn colors, when thus fall
into either dream.
Let the dream come true.
Light glow the end of tunnel! 

Lonely planet

A lonely planet;

where men romance

his dream girl

Imagine as hero

he prepares proposal

before playing live

Pic by Jeevan 

The only planet;

where men landed

apart ruining earth

Capture a image,

quite different perspective,

ever so spectacular. 

Ai (I) Audio

The hypes are something normal when it comes to big personalities in film and music industries. But many a time it doesn’t stand up to its faith. And anticipations are high normal when an enormous budget film is on news, comprising people renowned for their grandeur in filmdom. “Ai” has been in progress for a long time in filmmaking, under a budget which is ever so high in Tamil film industry. Don’t anyone will wonder, what would there be in a film to cost so much?  Yet, the film hadn’t released (but I hope it suppose to be terrific), the audio is out last week, witnessing the Hollywood and Kollywood superstars – Arnold Schwarzenegger and Rajini Kanth. 

The film has actors in best, Vikram, and Emy Jackson of Madrasapattinam; and directed by ace director Shanker and music by Oscar winner AR. Rahman. Shanker films always spoke for songs and his way of shooting is something unique and quite impressive. With ARR music they transport us to a difference world! Though the audio of Ai is released, I couldn’t go completely denying the album despite being disappointed with the songs composed which perhaps could go well on movie front or the film needed so, but I don’t feel content with the way it was loaded. It was an album blended with various genre of music. 

Let me go first with my favorite in the album, Pookkalae Sattru Oyivedungal. The song is penned very simple, yet rendered beautiful in the soothing voices of Haricharan and Shreya Ghoshal. The lyric by Karky has really done justice to the song by relating the title Ai so well. Simply love the song.

On the line of melody, following Pookkalae, Ennodu Nee Irundhaal is a song with romantic feels thought it sounds like singing on path of pain and craving to unite. Among the two versions of the same, the reprise sung by Chinmayi and Sid Sriram was very pleasant and moderate at flow rather the other version that feels lag between the rhyme and rhythm.

Ladio is very stylish song defines the beauty of a perfect lady, and according to Karky’s lyrics the number 32 22 32 seems to be perfect.  The song sounds like an intro to the gorgeous Emy in the film.  Initially it felt like listening to a pop number from a popular English album, but slowly feels familiar as I find it sound similar to Irumbile oru Idhaiyam from Enthiran. Nikita Gandhi has a sexy tone and she emits words like delicate tidbits.

Mersalayitten is a fast track and in company of Neeti Mohan, the soup boy Anirudh has given voice a man who seems mesmerized (what “Meral” sounds like) meeting a most beautiful woman (of course who other than Emy) and sings a song with words he was familiar. Kabilan has written lyrics (in fun mode) giving emphasis to the local madras Tamil, which sure to strike across chennaities. I find my bro have this song as his ringtone.

Aila Aila sounds like a sort of stage play and Natalie Di Luccio gives a rustic voice, which seems to provoke agitation, as well something unpredictable astonishment. This is something offbeat to Tamil audience.  But great attempt by ARR, which isn’t new for him. 

Ai (I) Trailor: 

Rose cheek

The cheek turns rose
in her delicious kiss;
a sweet imprint with lips. 

The love exhibits
in silent emblem of lips;
when emotions choked within.

Thousand flares blazed
when her tender lips kiss;
a sweetest transformation within.

While hands creep around
in attempt to smooch cheek;
eagerness embraces within.

Out of bed

image: pinterest 

Wrapped in his shirt
she comes out of bed,
with sore eyes
opened the door
to get some glimpse of light
after lovemaking delight.

Stretching the hands
she broke away the knots,
gripped through his arms
while cuddled on the cot,
the morning rays and fresh breeze
embrace her to unwind.

The let loosed hair
glisten to golden sunlight,
brushes away gently by wind,
embark on trails across her face
before she put back and smile
thinking about their interlock. 

Footnote:

A small imagination related to romance and lovemaking delight 

How beautiful it feel?

Picture by Jeevan

How beautiful it feel?
Holding someone’s hand
and stroll on the sand?
At the end of the day
embracing
while sun kissed the sea.

How beautiful it feel?
Taking someone into behold
where eyes only speak?
At the end of the day
life delights
under the twilight sky.

How beautiful it feel?
Sitting together with someone
who’s very close to heart?
At the end of the evening
life glitter
beneath pretty moon lit.

How beautiful it feel?
Kissing someone very sweet
before saying good night?
In the absence of light
splendid silhouette
conveys our love.

Whisper of love

I blow away her curls
crawling around her ear’s
to whisper my love.

Holding her face in palms
 kissed her forehead
for she embarrassed in red.

Eyes grasped each other
digging deep in desire, that
who quench (love) thirst first.

Lips ready to unfold, to say
something whispered so far
or plainly imprint love. 

வர்ணிப்பு / Describe

கேட்டவார்த்தைகளும் கவிதையாகும்

உன் குரலில் கேட்கும் போது;

துயரமும் துவண்டு போகும்

உன் கூந்தல் கோதும் போது.

கால்கள் நடனம் ஆடும்

உன் கை வளையல் ஓசைகேட்ப;

இதயதுடிப்புகள் மாறும்

உன் காது வளையம் அசைவுக்கேற்ப.

சத்தமில்லா சங்கீதம்

உன் கை அசைவில் அரங்கேறும்;

வரிகள் இல்லா பாடல்

உன் இமைகள் போடும் தாளம்

வர்ணிக்க வேண்டும்

உன் இதழ்கள் உச்சரிகும் அழகை;

தவம் நிறைவேறும்

உன் பார்வை படும் நேரம்.

Translation follows: i tried my best translating my Tamil poem into English.... even i am not that good in it. but i don't think i could convey the feeling exactly how it is in Tamil. Hope u understand J

Bad words become poem
when hearing from your voice;
Distress itself will get upset
when fingers through your hair.

Feet tap to dance
respond to your bangles din;
Heartbeats transition
respond to your ear loop motion.

Noiseless music
is debut in your hand moment.
Song without lyrics
bounces rhythm in your eyelids.

It begs to describe
the beauty in your pronouncing lips.
The penance fulfills
the time your vision fall on thee.

Mariyan - The Immortal

As usual the expectation leads to deceive, but not quite because I anticipated nothing much despite hype created by AR Rahman music. Mariyan is absolutely wonderful movie however it lacks energy or feel boredom, the essence of love uplift the story as deep as ocean and vast dry landscape of Africa produce an embrace of romance and adventure. The film opens to cheerful Sonapareeya (song), sails on the overseas of love, romance and struggle to reunion parted by a strange ordeal in Africa.

The film is based on a real-life incident of three immigrant oil workers from India being kidnapped in Sudan and how they managed to escape from being hostages. Dhanush played the lead character called Mariyan - which means ‘a man who never dies’; hails from a fishing village in  the southern tip of India goes to Sudan on contract basis to work in a construction site, to provide financial support to his ladylove. On his successful tenure and backpack to home, he is caught by the Sudanese terrorist, along with two of his co-worker were dragged through unknown terrain demanding money for their freedom.

Apart his great venture across terrible landscape of Africa and chased by merciless terrorist following brutal attacks… the film deals with caressing love and romance at initial half. Parvathi is paired with Danush; pursue him with love affair until he reveals back his hidden love, take us on a beautiful voyage of elegant love and natural expressions of Parvathi.  Dhanush has undergone a great ordeal from bottom of sea to drought prevailing desert or landscape of Africa, delivered a performance of absolutely tamed fishermen and strong ability beholding lean body.  

The film also has a scene of fishermen’s body washed ashore expose to Sri Lankan firing. Dialing a phone to his ladylove, from the custody of terrorist instead calling his company for their release is something showcased the depth of love but not so interesting! AR Rahman’s music has assist advancing the feature, which has been one of the prime aspect make watching pleasure… Neetru Aval is a beautiful song fascinated with love, but I disappointed with Kadal Raasa Naan… for which I expected it to be more savor and cheerful, but it fall into sorrow.

The film directed by Bharat Bala - who produced the acclaimed Vanda Matram video composed by AR Rahman - could have make it more interesting and serious the second half rather leaving it obvious to guess. Cinematography was handled by Marc Koninckx; captured the emotions more graceful and amazing underwater scenes.  Mariyan somehow lacks entertainment but good watching for the performance of Dhanush and elegant love scene. 

காதல் கடிதம் / Love Letter

translate of the letter in English :

After seeing you I have changed
or had you changed me?

Just been a wanderlust myself
you turned me as a tiger;
like how tiger pursues deer
you made me come around you.

Whether you love me or not
I come,
binding the eyes and closing the ears
in hope
that one day you will look at me
and accept my love.

                                        

                                     With affection

Solitude under moonlit night

Picture by Jeevan

There we’re sitting next together 

solely under the stunning moonlight;
admiring the silky shadow, ballet
on the surface of ocean ripples.

The cold sea breeze brushes us near
while the warmth inside embrace dear;
the moon chuckles looking at us giggle
to tickle and prattle in private privilege.

We have no idea what future beholds
even the presence of nature is unpredictable
but the moment being together, I feel
I could combat anything tries to battle us aside.

The shining florescent moon bakes
a silver sandwich, using the sky and sand
as two dark layers impound to nightfall veil
gives space for us unfolding our secret fondle.

We express desire along whisper of waves
while either of us inclines on one another
grasping the arms to crab tease or caress
in fondle beside cherish moonlit night.

Footnote:

The poem is an inspiration on the scene I captured (the photo above) at our nearby beach on Sunday. The evening was early to full moon night; I had a wonderful opportunity to capture the moon’s silver shadow falling on the sea and with the presence of a pair or couple, enhanced the scene into a perfect romantic evening. This is my second time to land upon a moonlit night where a couple come sat in front of the sea, where the silver shadow falls exactly or I come across the scene.

Out of Africa

Only few films leaves impression at heart and Out of Africa is one of the kinds. The beautiful yet romantic drama is staged through the African landscapes, works on the script loosely adopted from the autobiographical book Out of Africa written by Isak Dinesen, which published in year 1937. Meryl Steep plays the brave women of pseudonym (Karen Blixen) flawlessly expressing the love and disappointment elegantly, flapped wings like an angel throughout the film.

The story drives back in 1913 at Denmark’s cold winter hunting ground chugs into the vast wild Africa, Karen travels in plan of starting a dairy farm in British East Africa (now Kenya) with boyfriend Blixen, who she marries following a brief ceremony. But her anticipations went distressed when her money misused to purchase a coffee plantation rather a dairy farm; she lost faith with husband later learning his extramarital affairs and lead her contract with disease. She also develops a close friendship with a local big-game hunter(Robert Redford) which later turned into love affair, moved her close with him and they go for hunting and camping in forest together. But their differences on material affairs kept them away from marry and financially lose drive her back to Denmark writing her experience on Africa.

The film also touched by the concern of education and health of African tribe children and alike the prominence of words, the scenes weren’t enlightened. But the African chef and care taker of Karen’s house amazes through their English speaking and beholds the expression on eyes, rather indifferent action on face. The most impressive was the background score, whereas its romance or revealing the vast wild Africa, music plays an adjacent role upon the breathtaking scenes: the biplane ride above the African landscape and passage of steam locomotive seems uneasy to forget stunningly. Even I watched it through the home theater connected to LED TV, the impressions seem to never unchanged and I would count this film as one of the best I have watched.

Fact

The film released in 1985 (the year I was born) was directed and produced by Sydney Pollack under the Universal Pictures.  I too learned the film was one of the vastly awarded, including seven Academic Awards on main resources:  the sound and cinematography which fascinated me a lot on front.  The soundtrack by John Barry took the fifteenth place in the American Film Institute's list of top 25 American film scores.