I wished not to miss this movie
watching in theater, and went for a late night last show in drive-in, the only
theater I could visit and more over the director of the movie, K.V. Anand is
one of my favorite filmmaker in Tamil lately whose movies make me look forward his
next venture and I feel he’s someone special in creating quite content and
quality films on the mainstream cinema. Maattrraan is also a unique movie
dealing with conjoined twins and we have seen many movies on twins early but
this is something different for which the director has to be appreciated. This is very interesting and amazing to see
how conjoined twins survive with different style and attitude on their own with
no space for personal or privacy since both stick together.... the film make a
thought on the real conjoined exists.
The movie not only left with the
conjoined twins but also handles a serious social subject on adulterated energy
drink as alternate, the movie rides on a roller coaster of action thriller,
glamour and social science and technology. As Vimal and Akhil, Surya plays the
dual role perfectly and there’s nothing to say about his acting because he had
lived to the core of the subject and the action sequences are stunning with merry
first half and serious pursuit rear.
The director was dare to develop
a story tracing back to Ukraine, revealing a real mystery flight crash and the country’s well performance at world
games by the athletes based on steroid in 80’s moves the Tamil cinema into a international
platform. One important thing that leaves at amaze and spellbind was the cinematography;
the director who itself an outstanding cinematographer doesn’t need much to say
how well the visual performance must be... he makes everything look at the
state of the art.
Sachin Khedekar as Ramachandran
does a great job of father and genetic scientist, wearing a smart face of veil hiding
an evil and Kajal Aggarwal holds a partially chief role alongside Surya, adding
glitz and glam to cheerful; and one of the drawbacks of the movie was the early
grip loose of the suspense but the director dragged as much possible tighten
and loosing the thread like a kite before landing on ground. The songs were a kind
of usual Harish Jayaraj flick and the intro song was fascinating with apt
lyrics and the duet was remarkable capturing the wonders of Norway.
Could easily feel the hard work
of each crew behind the screen and without going deep in research on the
technicians and technology used off-screen I appreciate all the emphasis given from
behind to behold. Overall Maattrran is a better transformation or enhance for
Tamil cinema on the commercial front.