Only few films leaves impression
at heart and Out of Africa is one of the kinds. The beautiful yet romantic
drama is staged through the African landscapes, works on the script loosely
adopted from the autobiographical book Out of Africa written by Isak Dinesen,
which published in year 1937. Meryl Steep plays the brave women of pseudonym (Karen
Blixen) flawlessly expressing the love and disappointment elegantly, flapped
wings like an angel throughout the film.
The story drives back in 1913 at
Denmark’s cold winter hunting ground chugs into the vast wild Africa, Karen travels
in plan of starting a dairy farm in British East Africa (now Kenya) with boyfriend
Blixen, who she marries following a brief ceremony. But her anticipations went
distressed when her money misused to purchase a coffee plantation rather a
dairy farm; she lost faith with husband later learning his extramarital affairs
and lead her contract with disease. She also develops a close friendship with a
local big-game hunter(Robert Redford) which later turned into love affair, moved her close with
him and they go for hunting and camping in forest together. But their
differences on material affairs kept them away from marry and financially lose
drive her back to Denmark writing her experience on Africa.
The film also touched by the concern
of education and health of African tribe children and alike the prominence of
words, the scenes weren’t enlightened. But the African chef and care taker of
Karen’s house amazes through their English speaking and beholds the expression
on eyes, rather indifferent action on face. The most impressive was the
background score, whereas its romance or revealing the vast wild Africa, music
plays an adjacent role upon the breathtaking scenes: the biplane ride above the
African landscape and passage of steam locomotive seems uneasy to forget
stunningly. Even I watched it through the home theater connected to LED TV, the
impressions seem to never unchanged and I would count this film as one of the
best I have watched.
Fact
The film released in 1985 (the
year I was born) was directed and produced by Sydney Pollack under the
Universal Pictures. I too learned the
film was one of the vastly awarded, including seven Academic Awards on main
resources: the sound and cinematography
which fascinated me a lot on front. The
soundtrack by John Barry took the fifteenth place in the American
Film Institute's list of top 25 American film
scores.