Thursday, October 10, 2013

Payphone or telephone booth

PayphoneWe live in Smartphone era, but there was some period, peoples depend on phone were only on telephone booth and payphones fixed at some particular place or office or junction. For many people in India and abroad these payphones still helps at communication in absence of mobiles or emergency contact. Before telephones arrive at our homes, we used to visit the telephone booth or PCO (public call office) to make phone calls; and in my childhood days I have accompanied many a time my aunt to the red telephone booth or payphone in our area (Adyar) to make calls to her friends. I really enjoyed accompanying her not only because it was fun dropping the coin into the photo box and then dialing the rotary dial, she also get me chocolate or ice-cream while back home. 

Apart telephone booths, sometime we also visit our neighbor’s house (one or two houses that have telephone connection then) to make emergency call and also give their number to our relatives and friends to call in case of anything important. The same thing happens when we bought telephone, some of our neighbors get calls from their relatives and we have go and call them at their home… which only then we realized how difficult we gave to others. Lol

There were also few shops in our area then had telephones, which they also make it as a public phone and collect money for talking. We were also asked to press a red button (an additional device attached to the phone to calculated our talk time) when beeps rise at the end of each minute of the call, like how we drop one rupee coin in the payphone boxes at the end of each minute to continue our talk. 

Those days, I guess, we can’t make STD (subscriber trunk dialing) calls or talk out of our city or town from the telephone booth or payphones but only visiting the specify shops that has STD or ISD facilities. Making an STD also means paying more money, so people don’t make much calls unless important and also put their calls short and sweet thinking of the high rate. These days we can’t find any of those pretty red telephone booths, but only the yellow payphones fix to the walls or poles in public places or in front of the shops and the minimum rate of call to make allover India is Rs.1 per minute. These payphones are provided by public telephone sector ‘BSNL’ and the amount received through these boxes are collected by neither shop owners nor BSNL employees, for which they are paid commission.

Footnote:

The picture above is a coin operated payphone… kept at a shop in a village called Kuppanur, on the foothills of Yercaud, Salem district of Tamil Nadu. The yellow phone was catching my attention for photo and it was the inspiration to write on phones here.

Monday, October 07, 2013

Whisper of love


I blow away her curls
crawling around her ear’s
to whisper my love.

Holding her face in palms
 kissed her forehead
for she embarrassed in red.

Eyes grasped each other
digging deep in desire, that
who quench (love) thirst first.

Lips ready to unfold, to say
something whispered so far
or plainly imprint love. 

Sunday, October 06, 2013

PowerShot Sunday - Bright in colors

Bright in colors
This is a hotel in Yercaud serves homemade Biriyanis… and while waiting outside, I find the colors painted on the hotel was very bright and catchy! It was slighting drizzling then, which are the drops on the image (as I shot it from inside the car) and the rain that last from previous night had added glorious to the green trees behind looks stunning.

Friday, October 04, 2013

Raja Rani - Entertainment Rule

A newlywed couple, experience indifference in their marred life from the day one and both were only intend to agonize  each other through silent acts of conflict. The flashback reveals their past, parting the film equally half with enough dose of love, comedy and tragedy making it a wholesome entertainment. After longtime, Nayantara had appeared in a Tamil film and along with Arya - both were seen paired in Boss En Bhaskaran - had ruled each other as Raja and Rani (King and Queen) on screen.

Directed by debutant Atlee, had done a decent job by giving not much important to alcohol and such like comedy scenes had warm up with beer! The way he handled the post breakup scenes is appreciable, without much despair. Jai been Nayan’s love affair, doesn’t look fair but rather he appear like a younger brother to her. As a customer care employ, he makes fuss with Nayan and begs for releasing him from being irritated by multiple callers dialing his number - the people who receive customer care calls will enjoy the scene.

The sweetest and cute part of the film for me personally was Nazriya Nazim’s role as Keerthana, makes cheery on the cake! She’s an example how sweet a girl could be… I like to add a line from Gautaman Bhaskaran of Hindustan Times, wrote: “the one person who caught my attention was Nazriya, who as an Arya’s lover, is absolutely gorgeous with a face that is so expressive that we do not need her to speak”. How true! Hehe… I have become a fan of her lately (check the lovely song of her on my sidebar from Tamil film Neram).

Sathiyaraj as father of Nayantara was emotionally well done and called him as darling by her sounds different. The music (by G.V Prakash) was wonderful overall and I esp. like the song Oday Oday, which is very peppy and stylish and the cinematography also involves creativity. Not to forget, Santhanam has been the minister of this kingdom of king and queen, but as a comedian he makes merely laugh for good rather constantly annoying. The indoor sequences look fair in soft light and the frames were all well composed in an artistic manner. Overall a decent modern family entertainment!

Footnote:

As usual watched the film in the Drive-in Theater here and seldom was it crowded on Monday, we could find number of families with kids parked their seats in front of their cars. It was just like a proof how well the film had reached and received. Despite interruption of rain, everyone seems enjoyed the movie. 

Sunday, September 29, 2013

Ready for immersion

Ready for immersion

Every year following Ganesh Chathurthi, immersion of idols takes place at Chennai’s seashores on the first or second Sundays, that depend on the celebration of the festival. Here are photos shot at our nearest beach (Palavakkam) which is allotted for the idols kept around south Chennai to get immersed and on this day, the idols kept flowing into the beach front following number of processions. A Sunday back we tried to check the beach to see the immersion, but we couldn’t make it possible and the roads to the beach were blocked by row of vehicles standing for a km. The picture above and below are few years old, showing the idols kept on the beach before cranes uplift them into the sea and a fishermen taking an idol in the catamaran to immerse into the sea.

Idol sail

P.S. Posting under the series PowerShot Sunday