I don’t think films are meant for
entertainment alone, and life isn’t entertainment as well, but Purambokku does a
bit along with convection of communism. People who want a change in watching
from the usual valour and haunting stories; Purambokku will put you upright if
you’re interested in social welfare. Revolved around a death penalty, the Tamil
film captured the courageous, emotions of three young men who involved in the
proceeding.
Balu has been sentenced to death
by the court for involved in terrorism and antisocial activities and the
assignment (to put him hang) has been given to the Jail Superintendent Macaulay,
but who doesn’t have the right or willingness to do, sought-after an hangman
and thus finds Yemalingam, who come from the family of hangmanship – whose
father and grandfather were hangmen and he himself has done the job as a young
boy assisting his father.
Yemalingam, a alcoholic, who
works as a railroad switch operator, first denied taking away the task (as he
already in distress being fell into the pit of hangmanship) agrees later when Balu’s
comrades, who initially intend to kill him, induce him in their plan to escape
Balu from the prison. Do comrades succeed in their mission? And how challenging
the venture was was set in an interesting manner leading all the way to ending
with anticipation and apprehension.
Arya (Balu) in the role of
revolutionary has performed well and although he seems quite and fearless at his
attitude he maintained the seriousness throughout which is something new for
this always cool guy. Karthika Nair as his close associate is perfect choice for
the female lead of revolutionaries and her right physique easily achieved the
role. Vijay Sethupathi as hangman has conveyed the difficulties and distress though his perspective is highly appreciative.
Shyam as Macaulay is one
character that impressed me lot. In the
role of jail superintendent, he does a job that was animate to the character
that ruled out anything humane when it comes to complete
his task with great authority – what makes the climax crucial. Apart actors, who overall given fine performance,
the technicians behind the screen needs a special mention. The background score
(by Srikanth Deva) has been significant and pulsation of Purambokku – meaning unknown
person.
The artwork, esp. in the setting
of the prison and gallows, was amazing and provides great detailing that
haven’t perceived before. And it is a special area (artwork) where the director
S.P Jananathan’s movies
standout and his earlier one (Iyarkai) has got National Award, where the old
lighthouse setting was impressive. Cinematography is another interesting area where
I like the light and tone setting that varies from landscapes to diminish
prison cells.
There are couple of Kuttu songs
and many scenes relevant to prison are pretty older to drag over all apart some
incomplete/unclear paths where understanding becomes difficult. But the second part sustains the thrill and emotions
have been well drawn. Although the film is about revolution and capital
punishment, the best part I consider was the characters and expression of right
emotions where the director has to be appreciated for bringing them out.