Friday Review: Purambokku (Engira Podhuvudamai)

I don’t think films are meant for entertainment alone, and life isn’t entertainment as well, but Purambokku does a bit along with convection of communism. People who want a change in watching from the usual valour and haunting stories; Purambokku will put you upright if you’re interested in social welfare. Revolved around a death penalty, the Tamil film captured the courageous, emotions of three young men who involved in the proceeding.

Balu has been sentenced to death by the court for involved in terrorism and antisocial activities and the assignment (to put him hang) has been given to the Jail Superintendent Macaulay, but who doesn’t have the right or willingness to do, sought-after an hangman and thus finds Yemalingam, who come from the family of hangmanship – whose father and grandfather were hangmen and he himself has done the job as a young boy assisting his father.

Yemalingam, a alcoholic, who works as a railroad switch operator, first denied taking away the task (as he already in distress being fell into the pit of hangmanship) agrees later when Balu’s comrades, who initially intend to kill him, induce him in their plan to escape Balu from the prison. Do comrades succeed in their mission? And how challenging the venture was was set in an interesting manner leading all the way to ending with anticipation and apprehension.

Arya (Balu) in the role of revolutionary has performed well and although he seems quite and fearless at his attitude he maintained the seriousness throughout which is something new for this always cool guy. Karthika Nair as his close associate is perfect choice for the female lead of revolutionaries and her right physique easily achieved the role. Vijay Sethupathi as hangman has conveyed the difficulties and distress though his perspective is highly appreciative.  

Shyam as Macaulay is one character that impressed me lot.  In the role of jail superintendent, he does a job that was animate to the character that ruled out anything humane when it comes to complete his task with great authority – what makes the climax crucial. Apart actors, who overall given fine performance, the technicians behind the screen needs a special mention. The background score (by Srikanth Deva) has been significant and pulsation of Purambokku – meaning unknown person.

The artwork, esp. in the setting of the prison and gallows, was amazing and provides great detailing that haven’t perceived before. And it is a special area (artwork) where the director S.P Jananathan’s movies standout and his earlier one (Iyarkai) has got National Award, where the old lighthouse setting was impressive. Cinematography is another interesting area where I like the light and tone setting that varies from landscapes to diminish prison cells.

There are couple of Kuttu songs and many scenes relevant to prison are pretty older to drag over all apart some incomplete/unclear paths where understanding becomes difficult.  But the second part sustains the thrill and emotions have been well drawn. Although the film is about revolution and capital punishment, the best part I consider was the characters and expression of right emotions where the director has to be appreciated for bringing them out.

Nerungi Vaa Muthamidathe - A Novel Script

I usually write on movies only that I watched in theatre, but Nerungi Vaa Muthamidathe (which means “come close, do not kiss”) is a 2014 road movie in Tamil that I watched last weekend in a Tamil channel. I was looking forward to watch this movie as downloaded, but glad I come to know the movie being relayed 2 hours early to watch and it was interesting and gives a new experience.

The actress-turned-director, Lakshmy Ramakrishnan - who's popular with her mother characters, has written the story (that based on a road journey and background as petrol/diesel crisis) and screenplay in a novel way i.e. each character has been depicted in brief, that encounters along the journey, makes it more interesting watch. The movie drove from three different paths/situations has intertwined so well, leading all the way towards ending, the ride has been kept at thrill with anticipation of what come next.

Chandru is a lorry driver, although he the son of a petrol bunk owner, he choose his life to be like that and who drive trucks and Lorries for thrill, decides to smuggle 2000 litre of diesel for the same amidst fuel crisis. On the other hand, a runaway couple joins him for life whose love has been opposed by the relatives for being different religion/caste and a girl from wealthy family, going through distress and misunderstanding with her mother for not telling who he father is. But once understand her father as an injustice to her mom, the girl tries to reach her and fall into accident.

At one phase and in unexpected situations, all boards the lorry to get down at their destination and how Chandru comes out of the crises for smuggling diesel that could sentence him at national level. The movie settles for a light-hearted entertainment and taking a serious issue in hand, where the price and demand for petrol/diesel has been at rise to protest, ‘Nerungi Vaa Muthamidathe’ has utilised it well and also got closer but didn’t strike a chord!

The new comer Shabeer (Chandru) has a look needed for a lorry driver and also being adamant he quite understands later. But however upright, a driver could not drive straight forwardly. Lol! The pretty Piaa as Maya has been left with a face of confusion and anguish almost the movie, is enough describe her mindset and as her mother, Viji Chandrashekar, has recorded a bold statement that being odd is nothing wrong. As a young (runaway) couple in love they represent a familiar identity yet strongly

‘Nerungi Vaa Muthamidathe’ is a phrase I myself have seen on a lorry back, is perhaps the inspiration for the director and being a woman, has set a theme/trend which is pretty new, creative and ideology to inspire other. There aren’t many songs and also haven’t taken separate scenes for songs, which go along the subject.  Although I am content with the technical background, I wish I was watching this film in theatre to appreciate quite overall. NVM is must watch if you want a change in watching pattern and novel way of storytelling! 

Anegan - Survives on love

There are certain creations we don’t want to miss and in the field of filmmaking, as a director, K.V. Anand has created a place for himself for us to look forward to watch with interest. Anegan is one of an interesting Tamil movie (I watched last week) from the director, and as a wholesome entertainer, is based on memories of previous birth, not one, but multiple! Although it is only a part of the film, that traces and survives on love on each birth, the director has a different phrase to communicate the reason which perhaps due to hallucinations or use of drug to enhance dreams. But what highlight was how the illusion becomes clue to explore a mystery?

Dhanush and debutant Amyra Dastur as lead, appears in four difference characters, look, period/age. Dhanush seems to have not much works to do to in showcasing the difference in looks, which was slightly altered by pretty shaved and grown beard – resembles one of his earliest and in beard he reminds the dancer-actor-director Prabu Deva. One could see a usual Dhunush in the sequences relevant to current situation in the film, and I don’t find it quite impressive. But who steal the screen/show was, Amyra Dastur.

The beautiful actress does not only appear prettier, but her performance outshines the star cast and quite admirable. According to the period, her transformation has been done well and though not so highly differentiated, her expression and attitude conveys much to not to believe she’s debut. And another notable thing about Anegan was veteran actor Karthik’s re-entry, but as anti-hero, he acted pretty cool which suppose to be his usual/casual character in movies as well in reality.

I think the concept of this film (with two more situations happening at different periods and traced as previous birth memories) was pretty new for the Tamil audience, even though it was conveyed in a lighter way, I feel some people will find it hard to capture quite. Among the two different eras, the film that begins in Burma (today Myanmar) in 1960s is very beautiful and heightened the interest of watching. As a migrant worker Danush stunned with action and the love with Amyra is impressive than other two.

The music and songs of Anegan is chartbuster even before its release and Harish Jayaraj has touched the peak with both melody and local genre – but the most popular Danga Maari, doesn’t lived up to the expectation that created though music. Being a great cinematographer himself (though K.V. Anand is not the cameraman of the film), his perspective and locations selection always fascinated and in the songs of Roja Kadale and Aathadi the beauty of nature and Amyra stunned.

There’s also limited fight scenes to keep pace and sustained on tack with love genre, which is the centre pole of the film. Like his previous movies (Ayan, KO and Maattrraan) that open door to some daring issues, K.V Anand has focused this time on the rising depression among corporate workers, though the film deal with gaming company, it almost indicates the same and pulled the trigger to dread. Anegan is a must watch for many reasons and also way being different! 

Yennai Arindhaal

First time stepped out, after almost settled at the shifted house, to watch Yennai Arindhaal – an excellent Tamil action thriller film, from the director (Gautham Menon) who is popular with his cop subjects and this is supposed to be the conclusion of his cop trilogy. Ajith who wore the khaki shirt/cap this time, even though he’s seen almost in casuals, has recreated an image for himself and battled well parallel to Surya in Kaakha Kaakha and Kamal in Vettaiyaadu Vilaiyaadu.

Yennai Arindhaal is portrayed around the protagonist named Sathyadev and apt to the name (Sathya, which means truth), the character has consciously tried the best in establishing the same. Ajith comes in four different look and style, according to the phases of his character, has exhibited smart and intelligent to admire and also a person with intense while combat and gentle like wind when patting his loved ones.

Next to Ajith the most impressive was Arun Vijay’s performance, as anti-hero. He has acted more than dozen films as hero, but he couldn’t address well in industry rather being son of veteran actor, Yennai Arindhaal will lead him where he wants to be. Although his character and hairstyle reminds Pandian of Kaakha Kaakha, Arun’s hard work is bright enough.

Trisha comes as bold and beautiful, and allured, although portrayed a character of pretty young mother, her romance with Ajith look matured and rejuvenating at same despite their relationship that sounds odd and many couldn’t get what. I think the best and most exciting part of the film was the 2^nd half from where I feel the real movie starts. The film kept moving at the rear was very interesting and engaged, even though the progress was predictable.

One of the blissful parts of the film was the music! Harris Jayaraj’s background score, as well the beautiful songs are caressing the heart as fascinating as cinematography, which hold some unique light presentation. Though the film was captured mostly under low light and many scenes composed in night, there’s something enrich in tone and light to cause thrill and admire.  Like they say, last but not least, Gautham Menon’s way of filmmaking is something worth watch whatever the subject. 

Shanker’s "I"

There’s something impossible to avoid when it comes to Shanker films. Yes, Anticipation! He’s a man truly behind this cause and deserves much to look forward. Teamed with A.R.Rahman, except for Anniyan, they have rocked always. I really thought do I want to write a review on “I”? Because I can’t appreciate this film just like that or consider as another Tamil film, because each frame has something to behold and feel magical though the many marvelous beauties exhibited in front of the big screen. To say in a word/phrase “I” is a visual treat encompassed by delightful music, even the awkwardness provoke wonder and admiration.

Shanker’s “I” is not a regular film from the director of grandeur, but to say in their style “I” is beyond that and incredible.  Not that to say as a fan of Shanker, his knowledge and ability is sophisticated and so his daring to touch things that are practically impossible or narrow peak. With a director with international content, what upholds the structure (“I”) and burnish was Vikram’s double standard: as bodybuilder and hunchback. I don’t think I need to say anything about Vikram, perhaps, because I couldn't get a word to appreciate him quite.  But who needed when the protagonist is universally acclaimed for his acting and “I” is an added crown to his humble summit.

Thought the story of “I” can be shrunk within a line: where a bodybuilder (aspiring to become Mr. India) accidentally becomes a supermodel and how does him revenge those disabled him awful to take back their course, is set in super-rich scenario, awesome recreation with ambiance and settings and terrific characterization. As a bodybuilder Vikram has harshly worked out like ever bending from tip to toe... he’s sure to inspire many who aspire to become same and as hunchback he take possess everything within his hood. Emy Jackson looks literally super cool, sexy and admirable entirely.  But her performance has went beyond the expectation and skimpy to pickup her own place/space.

The foremost to take the center stage of “I”, as soon it begins, was the camera. P.C. Sreeram! Renowned as master of cinematography, has conveyed a lot and through his perspective our views get enrich and remarkable. The scenes relevant to China have been quite fascinating, and next to songs, either though visual or music, emphasis and produces enormous support in background was extraordinary when it comes to stunt and actions scenes. The fight using men and muscles was massive and amazing to watch, although it doesn't show off well, as every other men were muscular than Vikram, it was challenging and gives a feel of raw.

The film goes off partially fun filled and entertaining was quite thrill after the interval as they unleash how each get revenged. Santhanam played a decent role as supporting actor and humorist and Ramkumar and Suresh Gopi as indirect villains in their unusual/new role. The director has utilized the ad film making as the part of content and recreated real brands in his own style. The movie is also very stylish in trendy costume designing, had maintained the feel of local in slang and it’s funny to hear Emy spoke on. It is a movie truly enjoyed/experienced only in theaters; if you are my kind admire the advance in technology, beauty and quality in films. To feel Mersel – sound mesmerized!

Kayal – Fall in Love

Kayal is a feel good movie I watched, as a night show, from the usual drive-in theatre here and I enjoyed it quite heartfelt and moved at the same time.  Though the Tamil film is development on the background of 2004 Indian Ocean Tsunami, the heart goes with the characterization – in a natural tendency, expression and attitude that drive towards admiration. All new/less known faces adds fresh coat to the scenario (that takes on a brief journey from Kashmir to Kanyakumari) and gives a distinct feel related to the local realities.

The most pleasant thing to say about this film, which has pleased me even before its release, was the songs and music.  D.Imman’s composition was such a backbone to this film that featured a straightforward love story, simultaneously stroke the hearts strings causing pain and pleasure. Kayal (representing the title) is an orphan girl grows in a big family and guardian in her grandmother, encounters love when she meets Aaron, a traveller who proposes love confronting the big family, who caught him, along his friend Socrates, mistakenly for helping a runaway couple.

Aaron, along his companion Socrates lives a life travelling almost six months a year and works for the rest to spend their next half-dozen on travelling.  Coming across India, they head to Kanyakumari – almost their last destination of the country – while seeking a bright light which Aaron believes his destiny, finds out that the light  is nothing but Kayal. Feeling the love deep within, piercing the heart, the unrest Kayal leaves the house in instinct reaching Aaron while he’s on the same path, meets with great destruction but yet happy ending.

Epicentre with earthquake and tsunami, the film embark on a trail towards ending with anticipation. But what fascinates me lot was the lifestyle of the friends and love affair which incline some positive vibes, intertwine by realistic comedy produces a whole entertainment flick. The love expressed by Aaron (Chandran) and Kayal (Anandhi) through their eyes were powerful than the words conveyed. Anandhi has an expressive face, whether its pain or happiness receives to be real and natural. The mole beneath her lips was a notable aspect that adds beauty to her already exist face.

Directed by Prabhu Solomen, Kayal communicates the emotion of love and nature side-by-side... unlike his early films (Mynaa and Kumki) the director, even though he decided to send tidal waves, concluded without letting down. The tsunami related scenes were partially graphics and couldn’t provoke anymore, as it isn’t anything different from Hollywood movies, also reminds titanic when the companions run thought the railway station carrying a sack just like Jack and his friend embark the ship. The man floating on a piece of wood plank is also subject to same.

The film locations were one of the worth checking and most of the scenes captured in and around Kanyakumari sent me nostalgic with memories. Amazing to note the director has also shot a scene at the living bridges in Cherrapunji, along many unknown places were impressive. The camera work was fabulous and captured great light moments! Overall, Kayal was admirable. 

Lingaa

I think Lingaa doesn't need an introduction. But for those still unaware, Lingaa is a Tamil film lead by Superstar Rajinikanth. The film released worldwide in number of countries is based on the construction of Mullaperiyar Dam and its master (British) engineer John Pennycuick. Lingaa has tried to recreate an era related to the construction of dam and recent issues and illusions relevant to same. The movie revolves around a small village and a Dam that acts as its lifeline has Rajinikanth in dual role, as Linga and Lingeswaran, represented the young characters of different period as grandson and grandfather.

Lingaa is a thief involves in small burglaries with his team for living and he’s resentment towards his grandfather, King Lingeswara, for leaving his successors penniless. But things being like that, he was forced to go to his grandfather’s village, Solaiyur, to reopen the temple built by King Lingeswara as it is believed that only his legal heir should open the temple. Lingaa uses this change to escape from the police for stealing a pricey necklace. But reaching there and on failure of stealing the temple’s Shiva Lingam, he transformed the environment into worshipping and also learns who Lingeswara is.

Later on the film travels back to 1930: where Lingeswara is a King of Kodiyur who on his father’s request becomes a collector in the British Government and also a civil engineer from Cambridge, plans to build a dam for the village of Solaiyur as they suffer from water problem. But the British Government’s decision to not obtain permission forced him to resigns his collector post and goes ahead to build the dam on his own and with the help of village people. But to complete the task he was forced to give-up all his wealth on the condition of a British collector to pass the orders and assist on supporting equipments.

Toward the current situation, the MP of the village tries to damage the dam for his selfish ends at the brim with Lingaa unearth his plan. The film with many star cast has done their part so well and also their performance vice appreciable. But still the film gives an incomplete feel with scenes unclear at their ends and characters failed to reproduce the connection that unrelated even to be a fiction. Obviously the Rajini’s appearance doesn't attract and isn't cheerful like watching a Rajini move. Better he retire soon or choose characters that suit him well rather discomforting himself to dance with his daughters aged or fight like an action king.

I feel the film could have been taken better, taking enough time to come up with better scenario instead recapturing or copy from old. The film was shot around some magnificent places like Mysore Palace, Jog Falls and Linganamakki Dam all situated in Karnataka. Sonakshi Sinha has tried to be innocent to her character but her face doesn't relevant to the other characters and the story that itself based on south India. The entertainment part is very less and wasn't interesting anymore but with this plot to be on period it would be wonderful if it made more on the reality platform.

 R. Rathnavel’s camera performed well, but it makes puzzle at certain sequences like the ridiculous climax fight at hot-air balloon, it’s the work of camera or graphics. Except Mona Mona, which sounds pretty, songs (music by ARR) aren't noticeable or perhaps I haven’t listen to the album until watching the movie in Drive-in. KS Ravikumar’s direction isn't such fair and many usual faces from his previous movies make sour. Overall Lingaa is an average movie which is unusual with Rajini! 

My day becomes brighter

At the end of the day
my day becomes brighter
and cheerful
like kids back from school.

Am out of touch, seeing him
I give away my laps
for him to replace the space
I desire to spend the most.

Whoever hates noise
would relish upon his loudness
that resonates quite the home
in his enriched infant speech.

At his each pace - leap
there’s something energetic
that ever seems to exit
and never fails to astonish.

At the sight of my nephew
I forget what I suppose to do
and nothing becomes important
as he himself comes vital!

I have nothing to offer him -
except my love -
but he wishes to come home
make my days happier a lot. 

Note: If you get Word Verification, it is a Blogger/Google glitch! YOU SHOULD BE ABLE TO IGNORE IT AND HIT ENTER! THE COMMENT SHOULD PUBLISH WITHOUT TYPING IN THEIR FIGURES!    Thanks RunARoundRanch, for the notification. 

Thirudan Police

Titled in the name of a nostalgic game we played during our childhood days imagining ourselves as thirudan (thief) and police and trying to catch the opponents to eliminate. The Tamil film Thirudan Police is also based on the same but the difference was the thief and police are in the same department. Rather being a usual serious action cop story, the film is based on comedy and father-son sentiment and revenge in an amusing way.

Vishwa is a carefree person and dislike his father Singaram; a sincere head constable who wants him to become a police officer before his retirement. But the situation brought him into the same department as his father was killed in a fake encounter planned by an assistant commissioner to save his son from a rape case, as he found the evidence. Vishwa doesn’t seem to feel sorry for his father’s death or shows any interest on revenging the culprits until he realized the worth and hardship of his father as he himself went through it. But how does he revenge, is the highlight set in a light-hearted way.

The movie led by Attakathi Dinesh shows much improvement in acting (following his character as visually challenged in Cuckoo) and also continues to act close to reality make it appreciable. His sorrow for disregarding his father has been carried out light-heartedly though it makes sense and meaningful when he broke down realizing his mistake to misunderstand his father. Veteran actor Rajesh in the sincere head constable suit suits him well, as he had done similar roles in couple of films earlier and though he comes for a short period deserves respect. The upcoming comedian Bala Sarvanan has done best supporting role, and being a constable he guides Dinesh and make fun together.

Naan Kadavul Rajendran and John Vijay played the funny villain roles against the serious assistant commissioner, who launched them to kill the constable Singaram and to help his son to finish off Vishwa. Between the comedy rattle there’s a mild love track with Iyshwarya Rajesh – not so fair but enough with girl next door image – make some pleasant appearance and couple of duets with Dinesh. Music by Yuvan was fine and I liked the song Pesadhe, which sounds pleasant along with a party song by Vijay Sethupathi.

The debutant director Caarthick Raju had done a decent job to be watched by everyone and will be appreciated for highlighting the father-son relationships, apart attaching photos of the actors and technicians shot with their fathers to the credit was something innovative and touching. Produced by SPB Charan, the film has SPB Balasubrahmanyam appear in a special guest roll, sent a brief message to student on father’s behalf. Thirudan Police – A Light-hearted Play!

Ai (I) Audio

The hypes are something normal when it comes to big personalities in film and music industries. But many a time it doesn’t stand up to its faith. And anticipations are high normal when an enormous budget film is on news, comprising people renowned for their grandeur in filmdom. “Ai” has been in progress for a long time in filmmaking, under a budget which is ever so high in Tamil film industry. Don’t anyone will wonder, what would there be in a film to cost so much?  Yet, the film hadn’t released (but I hope it suppose to be terrific), the audio is out last week, witnessing the Hollywood and Kollywood superstars – Arnold Schwarzenegger and Rajini Kanth. 

The film has actors in best, Vikram, and Emy Jackson of Madrasapattinam; and directed by ace director Shanker and music by Oscar winner AR. Rahman. Shanker films always spoke for songs and his way of shooting is something unique and quite impressive. With ARR music they transport us to a difference world! Though the audio of Ai is released, I couldn’t go completely denying the album despite being disappointed with the songs composed which perhaps could go well on movie front or the film needed so, but I don’t feel content with the way it was loaded. It was an album blended with various genre of music. 

Let me go first with my favorite in the album, Pookkalae Sattru Oyivedungal. The song is penned very simple, yet rendered beautiful in the soothing voices of Haricharan and Shreya Ghoshal. The lyric by Karky has really done justice to the song by relating the title Ai so well. Simply love the song.

On the line of melody, following Pookkalae, Ennodu Nee Irundhaal is a song with romantic feels thought it sounds like singing on path of pain and craving to unite. Among the two versions of the same, the reprise sung by Chinmayi and Sid Sriram was very pleasant and moderate at flow rather the other version that feels lag between the rhyme and rhythm.

Ladio is very stylish song defines the beauty of a perfect lady, and according to Karky’s lyrics the number 32 22 32 seems to be perfect.  The song sounds like an intro to the gorgeous Emy in the film.  Initially it felt like listening to a pop number from a popular English album, but slowly feels familiar as I find it sound similar to Irumbile oru Idhaiyam from Enthiran. Nikita Gandhi has a sexy tone and she emits words like delicate tidbits.

Mersalayitten is a fast track and in company of Neeti Mohan, the soup boy Anirudh has given voice a man who seems mesmerized (what “Meral” sounds like) meeting a most beautiful woman (of course who other than Emy) and sings a song with words he was familiar. Kabilan has written lyrics (in fun mode) giving emphasis to the local madras Tamil, which sure to strike across chennaities. I find my bro have this song as his ringtone.

Aila Aila sounds like a sort of stage play and Natalie Di Luccio gives a rustic voice, which seems to provoke agitation, as well something unpredictable astonishment. This is something offbeat to Tamil audience.  But great attempt by ARR, which isn’t new for him. 

Ai (I) Trailor: 

A cute teaser

I frequently come across the teaser of the Tamil film Megha in television recently and I couldn’t avoid looking at it every time flashed on the screen. Though it seems like a romantic film, since the picture has a handsome hero and pretty cute heroine… the title (a female name) itself reveals the film perhaps centers a girl called Megha. But I couldn’t stop watching the ad, as it makes glimpses out of beautiful shots and romance between the pair esp. the girl’s presence admire watching. Not to forget the film’s music was composed by Maestro Ilaiyaraja enhances the beauty so well in the teaser.

From a small Google search I come to know the heroin’s name was Srushti Dange and she’s a model turned actress. I also realized that I have admired her already through an ad which I couldn’t recollect well now, but her cute dimple and sweet smile has something magic to captivate. Isn’t it?  She is someone so pretty and lovely, to become a dream girl ;)  

VIP

A short form of the Tamil Film Velaiyilla Pattathari, which means “unemployed graduate”, is a family-youth entertainer and also the 25^th film of the national awarded actor Dhanush. Apt to the title, the film quite based around an unemployed graduate who stays idle at home and not looking into jobs out of his interest or subject he studied and following the ethics as a civil engineer. But how he grows out without losing his faith on ethics is better half. As the elder son in the family of four, Dhanush portrayed the prime character along with the boy-next-door attitude, thought it isn’t new for him; he has done what he deserves at best. 

As a regular father who abuses his son all the time for not getting a job, unlike his brother Karthik, who works in an IT company with enough salary, Samuthirakani’s strict tone helps betterment the role. It seems mother means Saranya; such how her impression created among the Tamil filmdom and she proves every time there couldn't be a nice mother like her, obviously. Being a force behind his son’s new lease of life and dream come true as her lungs transplanted to a great builder’s daughter, after she lost life to cardiac arrest has emotional touch. Glad the film doesn't turn into another mother sentimental drama but energetically rise up on a newly built platform.

The film also conveys the public interest on building construct and at many places directly and indirectly reminds the recent collapses of building in Chennai and reveals the rival among the builders. Being a member of VIP group (via Facebook), Dhanush gathers all the unemployed graduates to help him on his initial project, as all workers and supervisors went favor for his rival company, turned into to kindle up youth. The film was comical, inspiring and produces great enthusiasm esp. to youngsters  (I hear whistle sounds from the gallery behind) though it sounds like the imitations of superstar Rajini Kanth, there’s anything that his son-in-law shouldn't follow his path! Lol

The music (by Kolaveri fame Anirudh) simply rocks among youth! The songs combine well with the story without redirected to distinct landscape unrelated to scenario. One can enjoy songs just like that for the local enthusiasm in beats and raw lyrics. I wish the directors, actors and musicians has to think alternate routes to inspire youth rather promoting alcohol as their inspiration, which I fear this trend would become a permanence source in Tamil cinema. It seems the climax fight is forced into the film to only exhibit Dhanush’s six-pack and thanks for giving life to the long lost moped bike, on which hero travel everywhere and also taking it for date with Amala Paul.

VIP - A youth festival, just for celebration alone! 

Manjapai

Referred to the yellow bag (Manjapai) is a family entertainment (Tamil) film based on grandfather-grandson relationship. Manjapai is a popular concept used in Tamil cinemas, where the hero or any other characters coming from village to city is often shown carrying a yellow bag. In this film the Manjapai is related to the grandfather character, who comes to the city for the first time to stay with his grandson who is suppose to pursuing career in US.

The film has many funny scenes and light-hearted moments to sit back and relax except for the emotional break up at last. The young actor Vimal had chose to play a software engineer in the film, dream to settle down in US and in a brief time he created the opportunity and working towards achieving his goal. Meanwhile he brings his only grandfather from the village to stay with him until he left to US and his grandfather, being so ignorant, pulled him into lot of trouble which even threatened his US dream.

The veteran Rajkiren has lived as grandfather, not only to Vimal but he reaches up to the audience watching the film! He had played father role in many Tamil films but first time he becomes full-fledged grandfather who rise up his orphaned grandchild single-handedly. He comes as a brisk old man and innocent being, brings out a perfect rustic in his perspective.  The film housed him in an apartment, finds intolerable as his approach seems so naïve and provoking due to the residents indifferent attitude, only make console later when they all miss him to search.

Lakshmi Menon has nothing much to do rather being Vimal’s love affair, enhanced the usual commercial aspects that a heroine deserves at love unrelated subject but she tried to bring some beautiful expressions. Their introduction at the same traffic signal quite bores… I have watched few films in latter year with same situation. What I liked in the film was the emphasis given to relationship and sharing tendency amid neighbors. In today’s apartment culture not many know who’s in next door and coming across a smile is a hard thing, but the grandfather role in the film celebrates their events.

The film shot in and around Chennai has good cinematography and made colorful songs using simple backgrounds. NR Raghunanthan’s music plays a wonderful part of the film, where the expressions were fine tuned in lyrics which are written in an unusually way of later watching the videos. There’s nothing to complain about director (N.Ragavan) who has stitched carefully the yellow bag to bear enough, but what if the bag slipped from the hand is what the ending. Appreciate the team for a decent picture!

P.S. After long time writing a film review, watching it in drive-in last week 

My attachment to old

I believe in old is gold! There are certain things that we can’t stop appreciating, however old or ruin they are and unused for ages, remain nostalgic whenever thinking about. I have a mind that does not give away certain things easily esp. used for long term or still feel content with quality and usage rather being old.  During my childhood or young days, one could see me roaming on the streets with friends and go rounds often in our area… and while this course we used to find many interesting little things on road and my favorite place of picking things  was Kailankadai (old iron shop). I had my own table drawer then where I used save things I brought from the shop and streets. My mother used to scold me for bringing those useless things to home and often engaged in war with brother for stealing one or two things.

My tape-recorder when in use

I never listened to her and kept saving those things and since my uncle had workshop adjacent to our house, I used to pick things from there as well. I had a collection of small iron balls in various shapes exists from the bearings until my brother swallowed one of it accidently. I think I had few of them even after shifted house for first time and I am interested even now if I get chanced to pick things at Kailankadai.  I know there is no future for broken arrows but we can do many things using those pieces. What is useless to someone could be utilized to other. Let me come to the matter of old things, which I still hold without use. I know tape-recorders and cassettes has no more futures and almost settled as sediments underwater leaving way to light and transparent technologies let move into air. The CDs and players has also become old stock with blue-rays and “I” series looking out for more light waves to wash away.   My passion for old and useless things comes out objecting the idea of mom’s proposes to dispose our old tape-recorder and a box full of cassettes.

I don’t know why and I am not going to listen to them anyway, but there’s something rolls me with the reels here. Until I bought my first CD player in year 2002, the tape-recorder was my only source of music and it was a foreign set bought to me by my late uncle, replacing the Philips tape-recorder with single speaker. I want to hold it back not because it was bought by my favorite uncle and it remain as a remembrance of him but apart being so, there was something that wants to keep it around. This tape-recorder enhanced my way of listening music with enough bass and treble effect unlike plain mono-stereo. Even until I bought my home-theater, I was connected my CD and MP3 players to this tape-recorder speakers using AUX wire. I ever had trouble like using this set, which often get struck with reel and have to bear to electronic shop, where the electrician used to take more than a week and above to mend it after number of walks to his shop, just two houses away from us!

Music always been my source of inspiration and uplifts my spirit when I feel down and there is nothing excitement like listening to new song or tune for first time that too from our favorite directors or actors. Until few years back I used to buy original CDs and cassettes from the music store, because for me quality is much important when it comes to music and movies… I can’t withstand the noise and sound disturbance. I know the tape is taking place enclose, but I have no mind to give away and not only the player there are few more things I kept safe in bureau. 

Raja Rani - Entertainment Rule

A newlywed couple, experience indifference in their marred life from the day one and both were only intend to agonize  each other through silent acts of conflict. The flashback reveals their past, parting the film equally half with enough dose of love, comedy and tragedy making it a wholesome entertainment. After longtime, Nayantara had appeared in a Tamil film and along with Arya - both were seen paired in Boss En Bhaskaran - had ruled each other as Raja and Rani (King and Queen) on screen.

Directed by debutant Atlee, had done a decent job by giving not much important to alcohol and such like comedy scenes had warm up with beer! The way he handled the post breakup scenes is appreciable, without much despair. Jai been Nayan’s love affair, doesn’t look fair but rather he appear like a younger brother to her. As a customer care employ, he makes fuss with Nayan and begs for releasing him from being irritated by multiple callers dialing his number - the people who receive customer care calls will enjoy the scene.

The sweetest and cute part of the film for me personally was Nazriya Nazim’s role as Keerthana, makes cheery on the cake! She’s an example how sweet a girl could be… I like to add a line from Gautaman Bhaskaran of Hindustan Times, wrote: “the one person who caught my attention was Nazriya, who as an Arya’s lover, is absolutely gorgeous with a face that is so expressive that we do not need her to speak”. How true! Hehe… I have become a fan of her lately (check the lovely song of her on my sidebar from Tamil film Neram).

Sathiyaraj as father of Nayantara was emotionally well done and called him as darling by her sounds different. The music (by G.V Prakash) was wonderful overall and I esp. like the song Oday Oday, which is very peppy and stylish and the cinematography also involves creativity. Not to forget, Santhanam has been the minister of this kingdom of king and queen, but as a comedian he makes merely laugh for good rather constantly annoying. The indoor sequences look fair in soft light and the frames were all well composed in an artistic manner. Overall a decent modern family entertainment!

Footnote:

As usual watched the film in the Drive-in Theater here and seldom was it crowded on Monday, we could find number of families with kids parked their seats in front of their cars. It was just like a proof how well the film had reached and received. Despite interruption of rain, everyone seems enjoyed the movie. 

My first tourist destination

Being a Chennaitie, my first tourist destination outside Chennai is perhaps Mahabs.  But Mamallapuram being my ancestor’s town I could not consider it as a tourist destination first and I have been there countless time and many a visit to the town has sighted in any of the sculpture site. My most favorite place then at Mamallapuram was Venna Tharatna Kal (butter ball) and we frequent there esp. to have fun sliding on the rock slopes.

Krishna’s Butter Ball is a natural wonder, where a large rock boulder balance on the sliding rock surface is believed as a stone found on Krishna’s plate. The Pallava kings had tried to pull down the huge boulder with the help of their elephant force (thinking anytime the rock could roll down) but failed in their attempt. The lush green lawn in front of this rock (once an open ground for cattle to rest) take  one for pleasant calm and as a group to sit and chit chat.

I have been strolled behind the rock slopes and crossing the gaps between rocks and there was a well with green water, which was called Sita Kinaru (well) because it is believed that Sita bathed in that well. I have no pictures on them, but I still hold memories on those sight and there was also a path lead to our relative’s house then. I hope everything were blocked and fenced by ASI, doing wonderful job in protecting the sculptors and rocks. We never thought then these places will take such pleasant enhancement and flourish in green.

Another place I liked and which is close to butter ball was Arjunan Penance. It is a giant bas-relief filled with marvelous carvings of various human forms and animals; the most fascinating part overall for me personally then were the Elephants. The sculptor of elephant couple and cute calves carved on the bottom of the bas-relief could be a favorite sight for any child and the pit reveal the bottom part was something dragged me then to look what is inside.

Another pretty scene next to this site was a sculptor of monkey looking lice on another. As kids (me and my bro) we used to go and stand behind the sculptor and pose like looking lice on the monkey sculpture. Beneath the monkeys, there’s a small slide to play and a rock carved steps to climb on, but I don't like it much as the natural sliding near the butter ball. The slide was partially hid now after the earth rose because of the lawn making.

Footnote:

Just thought to write something for the World Tourism Day today and here’s a brief account on my first tourist destination out of Chennai.

Smokey and the Bandit

I had fun on Sunday watching the film Smokey and the Bandit, a comedy action entertainment featuring Burt Reynolds, Sally Field and Jackie Gleason. The 1977 film, based on a series of high-speed pursuit has commendable comedy scenes comprising action and hilarious lines, settles on a simple track of transporting a truckload of beer across state lines of US.

Two truck-divers (Bandit and Snowman) accepts the challenge of picking up a truckload of beer from Texas to southern Georgia, which is illegal at that time to transport specific kind of beer across state lines, for the refreshment of two big-shots.  Soon enough both were at the highways; Bandit on his black Pontiac Trans Am (a speedy car) kept roping the police towards him (as a decoy) to keep away their attention from the illegal truckload driving by Snowman. Meanwhile Bandit picks up a runaway bride ‘Carrie’ on his car where he becomes the target of Texas Sheriff ‘Justice’, a senior law officer whose younger son was yet to be Carrie’s groom.

With specific time and distance in miles, the film runs at high speed chasing, skating, jumping and floating of cars was highly influenced by CB radios, through which they seek acquaintance from fellow truckers that help them to escape from police pursuits. The most interesting part of the film was music, which captivate the mood exactly while on pursuit and increases the speed thrill. The best of all was legendary Jackie Gleason’s character as law officer targeting the Bandit, whose serious intentions all make laugh as it become funny.

Apart Burt Reynolds and Sally Field - as lead make charm and become sweet companion on the pursuit - the ‘Pontiac Trans Am’ has been hero wades through different terrains. The film seems to be inspiration for many films unrolled on the series of pursuit and I could relate many Indian movies with similar stunt sequences which perhaps could be a replica of Smokey and the Bandit. The film director (Hal Needham) himself been a stuntman has left impression. It is the only movie I have experienced with constant chasing entertainment… may be there could be some need to check.

Some experiment with photography

Wonder what it is? A bamboo hollow! I tried to capture an image through the hollow (the bamboo used as handle in jute bags) but got this one J

I arranged the toothpicks in a manner within its cylindrical box, which impressed me to capture.  

Candle light shot on a powerless night, before inverter installed at home.

Here are some of my old toy cars, parked in a circle on the table for shoot. I used to play with cars long back and these are remaining from the collection of many then. Each of these cars was bought for Rs.10 and some cars which used to looks same often end up fight between us (me, bro and cousins) in guess of stealing each others cars. 

Mariyan - The Immortal

As usual the expectation leads to deceive, but not quite because I anticipated nothing much despite hype created by AR Rahman music. Mariyan is absolutely wonderful movie however it lacks energy or feel boredom, the essence of love uplift the story as deep as ocean and vast dry landscape of Africa produce an embrace of romance and adventure. The film opens to cheerful Sonapareeya (song), sails on the overseas of love, romance and struggle to reunion parted by a strange ordeal in Africa.

The film is based on a real-life incident of three immigrant oil workers from India being kidnapped in Sudan and how they managed to escape from being hostages. Dhanush played the lead character called Mariyan - which means ‘a man who never dies’; hails from a fishing village in  the southern tip of India goes to Sudan on contract basis to work in a construction site, to provide financial support to his ladylove. On his successful tenure and backpack to home, he is caught by the Sudanese terrorist, along with two of his co-worker were dragged through unknown terrain demanding money for their freedom.

Apart his great venture across terrible landscape of Africa and chased by merciless terrorist following brutal attacks… the film deals with caressing love and romance at initial half. Parvathi is paired with Danush; pursue him with love affair until he reveals back his hidden love, take us on a beautiful voyage of elegant love and natural expressions of Parvathi.  Dhanush has undergone a great ordeal from bottom of sea to drought prevailing desert or landscape of Africa, delivered a performance of absolutely tamed fishermen and strong ability beholding lean body.  

The film also has a scene of fishermen’s body washed ashore expose to Sri Lankan firing. Dialing a phone to his ladylove, from the custody of terrorist instead calling his company for their release is something showcased the depth of love but not so interesting! AR Rahman’s music has assist advancing the feature, which has been one of the prime aspect make watching pleasure… Neetru Aval is a beautiful song fascinated with love, but I disappointed with Kadal Raasa Naan… for which I expected it to be more savor and cheerful, but it fall into sorrow.

The film directed by Bharat Bala - who produced the acclaimed Vanda Matram video composed by AR Rahman - could have make it more interesting and serious the second half rather leaving it obvious to guess. Cinematography was handled by Marc Koninckx; captured the emotions more graceful and amazing underwater scenes.  Mariyan somehow lacks entertainment but good watching for the performance of Dhanush and elegant love scene. 

Runaway Train

Following the ‘Sky Fall’ other day, I watched the ‘Runaway Train’ in the weekend at home-theater. Almost I enjoyed both the films, sky fall sounded like the best James Bond film ever made or I seen - I am not a James bond fan and haven’t watched many on its series, but I feel sky fall lives close to perfectness and straightforward. Daniel Craig performance was really good and he proved to continue to fall in mind as James Bond. Runaway Train is another interesting movie directed by Andrei Konchalovsky, the 1985 adventure thriller is based on story of two convicts escaped from a prison in Alaska, and boards a train that goes out of control.

Manny and Buck, who escape through a sewer pipe using Buck’s position as laundry collector in prison, took a freezing cross-country hike to board a train that runaway after its engineer suffered a heart attack. Only after a collision that badly damage the lead engine to accelerate to dangerous speed, the convicts aware the situation and along with Sara, a locomotive hostler on board, they attempt to stop the train by disconnecting the MU cables, apart the railroad heads decision to derail the train to avoid major accident. The warden of the prison chases the train via helicopter to catch the convicts before it collide.

The opening scene of the train sound marvelous and its progress at great velocity takes on an ever adventurous train ride across desolated snowy Alaska. Jon Voight as Manny, portray two different faces: Vicious, while asserting dominance over Buck (Eric Roberts) and hit him hard to scramble outside the engine and sensible, when decided to face dead by uncouple the lead engine, leaving Buck and Sara safely behind. Even Rebecca’s part was very little her expressions were expensive! The music really put on a vibrant stream when the train moves esp. the final notes on violin or some other instrument was awesome. Cinematography was another wonder indeed ruled the scenario!